Translate. Various containers have different compatibility with various codecs. If you choose Cancel, you can resume scanning the library and convert the incompatible files at any time in macOS Mojave: In Final Cut Pro, choose File > Check Media for Compatibility. Over time more features have been added, from HD, to 3D, to 4k and beyond. The full frame wavelet as a subject quality advantage over DCTs, so you can compression more without classic. To download the GH4 ProRes LT files at 4K resolution click here. And when using the GoPro CineForm conversion tools to do the conversion, the 8-bit 4:2:0 source files are up-sampled to 10-bit 4:2:2 files. Speed wise- ProRes realtime, Cineform+GV HQX 2x faster than realtime, DNxHR HQX 1. It all depends on your hardware. July 4, 2010 at 4:45 am. MFX as mentioned above is a container that can hold intraframe or interframe codec. H. Lesser-used, smaller resolutions include 1280x720 (720p, also an HD format), or 720 x 480 or 720 x 576 (“SD”). I've never seen anything like that out of Media Composer. Meaning that all frames are complete data-sets for that frame. Right now it is not clear what High, Medium and Low mean from the interface itself, which is bad for a variety of reasons. When it comes to creating archival/master files, there are a few competing codecs to consider, the most popular of which are ProRes, DNxHR, and Cineform. Don’t get it confused with other compressed codecs like ProRes or H. This ffmpeg command: ffmpeg -i input. It definitely looks like an issue with the luma values being too high but for me the problem isn’t apparent with the DNxHD . There was also a 12 bit Bayer raw Cineform conversion offered in the original software. Explanation: Intra-frame vs Inter-frame Compression Intraframe formats are equally great, though some have their preferences for formats, quality choices, and frame sizes. Install the H. The target data is 147 Mbps. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. As you can see, blocky artifacts are still. Export to ProRes 422 with the "Use Previews" box checked. For lossless source videos, the Apple ProRes is a good choice. What video formats can Xbox One Play? Ans. CineForm Images can be stored in 10-bit 4:2:2 YUV, 12-bit 4:4:4 RGBA, or 12-bit RAW formats. CineForm 422 vs ProRes 422. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. It has a target data rate of approximately. Where it says 'Preset' click on this and then select 'Custom'. ProRes 422. Apr 1, 2017 at 23:20. 264 is terrible to. The ELI5 explanation is that a codec is like a way of storing clothes (like rolled up. We would like to show you a description here but the site won’t allow us. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. Tips: Here you can. Between the prores and cineform, I'd say there wouldn't be much difference apart from the file size maybe? I don't have much experience with Prores as I'm on a PC. Apple ProRes vs. 264 didn't have 10-bit implementations and H. Bookmark the permalink. 264 does not. To export a video with an alpha channel, go to the export settings in Premiere Pro, and select a format that allows for an alpha channel such as Quicktime. DPX, or any other combination, you’ve come to the right place. The only thing is ProRes LT is almost the same file size as the original footage, so its not ideal. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. Other formats, such as: H. There are a few different software solutions I use as well and will be touching on each when I do the post-production section. ProRes data rates look a lot line Cineform and RedCODE data rates. Or even still frame sequence . On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. Report. Of course, Apple would argue that it has its own ecosystem of ProRes to work in, as detailed in our handy "street names" chart. . The Cineform proxies are actually smaller than the 4K - UHD footage. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. The proxy formats you've mentioned are high quality intermediate codecs. You won't want less than ProRes 422 HQ for final results anyway. All of these codecs, including Apple ProRes, work on macOS and Windows 10. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. ”. Use the Cineform or ProRes proxies. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. So, any video format which supports them is good for video compression. (h265) - High-efficiency video coding is the successor of Advanced video coding. on some cases it is a good D. mp4 and it works fine so I’m guessing this is a DNxHD problem. On a Mac I recommend the FTP client app ‘Transmit” by Panic. Q. Votes. Well. This makes the codec an excellent choice for image acquisition, post production processes, and even broadcast delivery. ) You can always toggle the proxies off if you need to view the image at full resolution for VFX work or whatever. ProRes is going to be 1,000,000% smoother to edit than any of the in-camera codecs. Downscaling UHD (4K) to 1080p also results in smaller and friendlier files size and bitrates for older/legacy devices to handle (PC, Bluray player, Media player, HD TV, tablet,. ProRes 4:2:2. 啊叻？. 264 isn. In the Create Proxies window select the proper format and preset → specify the location where you want to store created proxies files → click OK. 5. That should produce an I-Frame only HEVC file. Import H. Cineform is also the codec of choice if you plan on doing multiple export passes of your project. . HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. But, for SDR content upscaling 8-bit output should be fully sufficient with no visible differences compared to 10- or 12-bit (or excessive 16-bit) frames. Export settings in Resolve: 10bit 422 YUV Cineform highest from Lightworks is Filmscan 1 Cineform standard, more or less equivalent to. I used Cineform codec for years. 265, ProRes, Apple Pro Codecs, HEVC) even CineForm which was widely used for years as a cross compatible. Common codecs include the H. UPDATE: WHY USE HEVC – PART 2. ProRes. 264 format. I started with the GoPro CineForm YUV 10-bit-Preset. Community guidelines. on other cases (especially with graphics) it can give poor results; Jpeg2000 - did not know it could carry Alpha will give you good results and. Apple. undefined, 视频播放量 undefined、弹幕量 undefined、点赞数 undefined、投硬币枚数 undefined、收藏人数 undefined、转发人数 undefined, 视频作者 undefined, 作者简介 undefined，相关视频：. As a result, ProRes 422 offers even better real-time editing performance. You can pick other formats than ProRes. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. The best and worse uses for Cineform The Cineform codec is a robust and stunning codec for many things, but proxies aren't one. Translate. Hollywood, California 90038 USA. Approximate ProRes equivalents. NLE software from any manufacturer (Premiere Pro included) will have much better performance during playback with these intermediate formats. 264. Community guidelines. ProRes 422 LT. 4375 MB. You will get a dialog with the options for QuickTime format in the export settings. It's never advisable. ビットレート比較. Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). They're not painstakingly tweaked for the best possible quality at a given bitrate. ProRes, DNxHD or Cineform : Cinema 4k 4,096 x 2160: 1024×540 (1/4 size of full res) ProRes, DNxHD or Cineform: FHD (Full HD) 1920×1080: 480×270 (1/4 size of full res) ProRes, DNxHD or Cineform:. Yes, ProRes 422 is vastly better than any H. Probably slightly better IMO, but both should be visually lossless. Feb 4, 2011 #1. If you ever wondered what the number in each DNxHD preset means, it’s the bitrate in megabits per second. Ps. ProRes. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. In Sequence Settings, set Editing Mode > Custom. For a look at ProRes in 2009, check out Gary Adcock’s article here, and for the modern, official details, check Apple’s white paper: PDF link. If you need a second choice, the . I would recommend only using ProRes 422 or ProRes 422 HQ if you’re starting with a 100Mbps h. On the contrary DaVinci Resolve can support MOV with many codecs: MOV Apple ProRes 422, MOV Apple ProRes 4444 XQ 16 bit, Cineform 3D 16 bit, Cineform YUV 10 bit,. In the same time Cineform has slightly worse quality at given bitrate. ProRes: In addition to MOV, Apple developed ProRes, mainly to help video editors manage large high-resolution video files that can eat up a lot of memory. YouTube downscales ProRes files, many of which house 2K, 4K, or 5K video, and spits them out as MP4s. So we’ve scoured the Internet and brought them all into a single page. 2K to see the difference between them. Reply. If you have a weak system might be better to convert footage to an edit friendly format instead of using proxies. I am pretty happy with the results and files works smoothly on both workstations, windows and osx. NOTE: I will be spending a substantial amount of time discussing how to remove flicker using various programs as it is a highly requested topic. 264 make good proxy codecs (cineform is rather large and h. Could there be an alternative as well that doesn't have such massive file sizes as 422 HQ/HQX that is 10-bit so I can keep HDR? There seem to be some interesting alternatives like Cineform which I know nothing about. Coke vs Pepsi vs Dr. In all the tests that I’ve done, Cineform is surprisingly effective at being an easy-to-process codec. You won't want less than ProRes 422 HQ for final results anyway. Gopro CineForm RGB 12-Bit with Alpha At Maximum Bit Depthface. Below is the normal. Practically speaking, the ability to only decode ProRes is not enough to build a solid ProRes workflow. If you're ever exporting graphics from After Effects and they have a transparent background, you're going to need a codec with an alpha channel. Alpha Channel support. DNxHD 115 - Cineform 422 @ 1080 DNxHD 120 - DVCPRO HD, Motion JPEG @ 1080 DNxHD 145 - HDCAM DNxHD 220 - Sony SR Lite DNxHD 440 - Uncompressed 422 10-bit @ 720, Sony SR SQ, HDCAM SR. I have updated to Adobe Premiere Pro 2022 and the surface has changed. h. In between are simple data sets of pixels. 264 and MPEG-2 which tend to be around 4:2:0+ can easily preserve this old footage while saving you space on your hard drive. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Highlights: read and write AVI, MP4, MOV, MKV. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. HQ and ProRes 422, 422 HQ and 4444. Native, Kakadu RGB, YUV422 and YUV444 (8‑bit,. It's ~175M at HQ, and ~80M in LT. 264 to something else is probably a good thing. 摘要. Although your codec is only 10 or 12 bpc, I've found that over-sampling to 48 bits is better than up-sampling from 24 bits. I consider the following to be valid containers for these codecs. . These were encoded by Adobe Media Encoder to the MOV container using Avid’s official Quicktime codec. I am not the prosecutor in a court room here. Step 1. These become the new master files from this moment forward. 264 uses long-GOP compression, it can pack a lot more information into those 100 megabits than ProRes can. These Apple devices can support ProRes playback and editing: Mac with Mac OS X 10. . will do the trick. NLE software from any manufacturer (Premiere Pro included) will have much better performance during playback with these intermediate formats. Then I added all my GPCF media, and re-encoded to Apple ProRes 4444 with alpha, since my source material was from Adobe Character Animator (which used to offer the CineForm codec for output with alpha). ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80. ProRes, DNxHx and also CineForm have a roughly similar compression. Advantages of Apple Prores format as an editing codec. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Cineon 1080 RGB. ” All variations of ProRes have a video bit-depth of 10 bits or greater. . Cineform is an excellent alternative, but a bit slower on Macs. 在Windows系统输出ProRes主要依靠第三方编码器，这样输出的视频参数相对于官方编码会有所差别，质量无法保证，并且第三方编码器只能说是仿造，在实际使用过程中可能会出现谜之Bug。. If not, it’s DNxHD/HR. 264 to something else is probably a good thing. Keywords: video formats, gopro cineform vs prores, cineform vs prores, dit report, prores vs cineformThe ARRI Reference Tool allows you to render ALEXA 35 footage using our new ARRI Debayer Algorithm ADA-7 and REVEAL Color Science, but it is also backwards compatible with all ALEXA/AMIRA cameras. An important difference, however, is that some of the major editing and finishing systems available lacks support for ProRes encoding for Windows. Additionally, ART supports QuickTime/ProRes or MXF/ProRes, as well as the CODEX HDE (High Density Encoding) file format. 4 Replies Nils Welter February 23, 2015 at 10:21 pm Hey Matt, Premiere Pro can also handle DnxHD Footage wrapped in MXF Container with better performance. 26x and MPEG standards, the ProRes family of. Meaning that all frames are complete data-sets for that frame. Daniel2 vs ProRes, DNxHD, XAVC, etc. The format in which you are smart rendering determines the option to smart render in these special cases. Hello fellow professionals, Now that Adobe added Cineform option to our export possibilities, I can see how hugely beneficial this can be to PC users, however, I was wondering when working on MAC, having access to exporting Prores. 4375 MB. epr" extension. 2GB - 786,334 kbps. Existing ReelSteady Go app users, however, can use their existing. It must decode every frame fully. In a proxy workflow, you convert your original camera media to a more edit-friendly codec while you’re working in your NLE. Movavi Video Converter. 264 is one of the worst codecs you can edit. Reply. isn't it rather unprofessional not to support basic open formats. - LR Timelapse, Lightroom, After Effects, Photoshop, Premiere, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. He then converts it to GoPro Cineform using GoPro Studio for editing in FCP X. ”. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？1 Correct answer. In case of ProRes disk read doesn't scale down. Sign in with Facebook. At this point in time working with Cineform basically locks you into using only Adobe tools. There are a lot of variations of ProRes such as ProRes 422 and ProRes 4444. 265 requer uma quantidade menor de largura de banda em comparação com os codecs H. But of course I cant make new prores files in windows. Just no h. Even if it's screen recorded and then saved as ProRes, it's still and end-of-workflow format. Step #13. " Well, DNxHD is also on the chopping. There is no way to change import settings, but i'm definitely sure, that these. Add a comment | 2 Answers Sorted by: Reset to default 1 In Media Encoder you first need to select your destination format as Quicktime. With the future more firmly in mind, ProRes was created (in 2007) as a transcoding codec which balanced post-production needs and image quality, and it later grew into an acquisition and delivery codec. mp4 HEVC 444 10bit/16bit. (It is said that ffmpeg is also possible, but I heard that it is not an official codec, so there may be problems when playing or editing. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. Report. 4. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. Su sistema de compresión que explico en el video El mejor códec para editar videos hace que se obtenga:. 7. #2. Speed wise- ProRes realtime, Cineform+GV HQX 2x faster than realtime, DNxHR HQX 1. It uses clever code to compress the raw data and a set of metatags to describe how the raw data is handled (for example ISO and white balance). 5. NOTE: It is important to note that, by default, choosing Apple ProRes 422 Proxy creates a proxy file at the same resolution as the camera master file. You won't want less than ProRes 422 HQ for final results anyway. Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). Intermediate vs Long-GOP in a nutshell. ProRes is only standard because of apple ecosystem. While H. 2) 5. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. 264 or whatever after export. To get better performance in the edit, you need to use an intraframe codec like Prores, Cineform, or DNX. 3: In Adobe Media Encoder add the folder all the footage resides in as a watch folder. Even using Film Scan 2 though, I am not seeing the same level of. But you can also export DNxHR RGB 4:4:4 or GoPro. 264/H. Capturing Tapes to ProRes vs DV. Here's the details: Add your composition to the render queue (NOT Media Encoder). GoPro Cineform is a high-quality codec, similar to ProRes and DNxHD, in that it is optimized for high quality and efficient editing. So. Hello! I noticed, that when i'm importing these types of files. Common as an editing and delivery format, it is gaining speed as an acquisition format. 3. Best file format to use on YouTube. works with deep color and alpha. It is not BRAW, but CDNG 3:1 vs ProRes ahem 422 LT on the URSA 4. The optimised files might then be one-tenth the original size, eliminating performance bottlenecks. If you are doing extreme colour grading, fine matte work, etc. Nope. 264 instead (at the same data rate). 16-bit TIFF image sequences. 1. Give your preset a name and when you save it, it will save to your computer with a ". One key advantage of filming in UHD (4K) over HD (1080p) is its superior viewing experience when displayed on HD 1080p viewing devices. 97 fps. . I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. It is equivalent to Prores 444 HQX more or less. MXF should work as that is also SONY. 264 file into a high quality edit friendly codec like one of the flavours of ProRes, DNxHR or Cineform, with ProRes 422 HQ being perhaps the most common. Windows 7/8/10/11, MacOS 10. Cant seem to find and reference to VLS player, though I do use VLC player. 3GB - 684,847 kbps. 264 for possible quality though much bigger in file size. Is there a real advantage in transcoding of DSLR H. Exporting out of one generation (camera originals) of H. Here’s a good way to explain it. Set the CQ value to 1 to create a visually lossless file. you may need better quality. ), MPEG series, and others like CineForm, VP9, WMV, and royalty-free AV1, etc. 264? The hard truth is that H. Premiere’s default installation also includes other common workflow. Prores vs proresLT on a average-ish desktop editing setup at a variety of workflow stages. • 5 yr. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. ProRes, DNx and Cineform are all optimized for editing. If your computer has the hardware to decode H. Software. QuickTime has a lot of other popular codecs as well. Enter the. For the smallest proxies, you could create H264 proxies at a lower resolution. Now is the time for a tea break, stretches or anything to get away from your. mov ProRes 4444 10bit. 264. You can pick other formats than ProRes. Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. To create proxy. The calculate bitrate is ~235Mbps which makes this a less fair comparison; it puts Cineform closer to Apple ProRes4444 and Avid DNxHD 220. If you are working with SD or HD media, choose ProRes 422; If you are working with RAW, HDR or Log files, choose ProRes 4444;おはようございます。 今回はApple Proress 422について解説させていただきたいと思います。 「H264」と「Aple Proress 422」のこの2つ圧縮フォーマットは映像編集においてかなり多用しますので必ず覚えてください。 まずは、Apple Proress 422の種類から説明いたします。 ・Apple ProRes 422 HQ →最高品質仕様. ProRes HQ (avg: 61. 264 to HEVC, which is often called “H. Use Shutter rather than Media Encoder for h. Cumi. 264 to something like ProRes Proxy. For this reason, many post-production facilites have abandoned ProRes and implemented a full DNxHR workflow. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. GoPro Cineform is a. 0 in 360 mode. I think. Personally don't re-use my previews for export and don't really need the "best of the best" quality when generating previews, so I tend to just use resolution-matching ProRes 422 Proxy as my preview format in most cases. H264 file and, it now looks like crap and looks slightly compressed, slightly, but enough to notice and not understand why it always looks like crap after exporting from FCPX. Aug 19, 2022. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. If not, I'll stick with my 720p Cineform. Thus CineForm 444(4) would be a more appropriate intermediate and interchange format these days. While no codec lasts forever, ProRes and Cineform are already 64-bit and are actively supported by Apple, GoPro and other developers. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. I’ve seen DNxHD/HR be slightly more performant than ProRes, but ProRes is far more user friendly. 5. Neil. Now that both macOS (High Sierra release) and Adobe Media Encoder (2018 update) support the new HEVC codec, I thought I’d compare compressing video using H. 12bit Cineform 5 (avg: 67. May 4, 2014. First up is Avid DNxHD 175 8-bit. Its incredibly CPU intensive for a CPU to decode in a video editor. I used Cineform codec for years. In that case, pick Apple ProRes 4444 with Alpha, or maybe go for Pro CineForm 12 bit with Alpha. First you will need to go to your export window: File - Export - Media…. I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. The profile has been preset to ProRes 422 HQ by default. I need to reinstall MC6 on my system and run it through. With this new update, both macOS and Windows. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. The CineForm codec has been in development for 16 years, overseeing many innovations in the video production market: it ushered transition from standard definition to HD, and it was. Cineform can be decoded at fractional resolutions so this is why it's easy. 26X series (The newest is H. They're not painstakingly tweaked for the best possible quality at a given bitrate. Video Space Calculator. I used Cineform codec for years. If you're downloading a two-hour movie in 720p format, its size may be anywhere between 1. While AVC is a compressed codec, Final Cut Pro X (unlike Final Cut Pro 7) can edit. It will help you determine how much room you need in order to create an effective and professional-looking video. ProRes is resolution independent which means it can accommodate any size frame of your choosing. CineForm is compressed raw, much like REDCODE on the RED Epic. Even crapy old laptop will do it. Pepper) When it comes to creating archival/master files, there are a few competing codecs to consider, the most popular of which are ProRes, DNxHR, and Cineform. 264, h. 264 for possible quality though much bigger in file size. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. 264 is interframe, meaning it stores the data. Note these are from the pre-production camera, firmware v0. The calculate bitrate is ~235Mbps which makes this a less fair comparison; it puts Cineform closer to Apple ProRes4444 and Avid DNxHD 220. As opposed to say the long-GOP (group of pictures) format H. It is comparable to Avid's DNxHD codec or CineForm which offer similar bitrates and are also intended to be used as intermediate codecs. For exporting in DaVinci Resolve, AVI has codec options for GoPro CineForm and Grass Valley. 1. Hi, Thanks for the advice. If you want a different ProRes format, open "Parameter settings" windows and select any option in the "Video Encoder" drop-down list, including ProRes 422, ProRes 422 Proxy, ProRes 422 LT, ProRes 4444 XQ, and ProRes 4444. Report. mov. Format. 1 Correct answer. I am a paying customer. 6. Everything in the folder is reencoded from 4k h. GoPro CineForm avi RGB 16‑bit Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10 ‑bit mov – Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10‑bit, RGB 16‑bit. 264. So much better. O H. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. Upvote Translate. A proxy and an intermediate codec are not quite the same thing. avi -q3 -f23. MXF should work as that is also SONY. Report. 6k VR footage that was shot on a gopro and output into cineform. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. If, for some reason, you can't use or don't want to use . MFX as mentioned above is a container that can hold intraframe or interframe codec. Next project I'm going to try ProRes LT proxies and remove the timecode window, so I can try a smart render, the advantages of that look worthwhile. ) So I think I need to edit it with cineform, DNxHD, or HuffYUV CODEC, but I have a few more questions. 265. Good for performance, yet still. MXF OP1A mxf Apple ProRes Yes – Yes – Yes – MXF OP1A mxf Alexa Mini Yes – Yes – Yes – MXF OP1A mxf Canon EOS C300 8 bit Yes – Yes – Yes – MXF OP1A mxf DNxHD 1080i 100 8 bit Yes Yes Yes Yes Yes Yes DaVinci. A valid assumption.